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	<title>Blackbird Books</title>
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		<title>Perfect Faith</title>
		<link>http://blackbirdbooks.net/perfect-faith/</link>
		<comments>http://blackbirdbooks.net/perfect-faith/#comments</comments>
		<pubDate>Sat, 27 Apr 2013 03:32:59 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Photo Posts]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=642</guid>
		<description><![CDATA[<p style="text-align: left;">“The reason birds can fly and we can&#8217;t is simply because they have perfect faith, for to have faith is to have wings.”  ― <a href="http://www.goodreads.com/author/show/5255014.J_M_Barrie">J.M. Barrie</a>, <em><a href="http://www.goodreads.com/work/quotes/14761428">The Little White Bird</a></em></p> <p><img class="aligncenter" title="fire_april" src="http://farm9.staticflickr.com/8527/8684155131_243e46d215.jpg" alt="" width="500" height="333" /></p> <p>Very good friends of mine, they call me the Philosopher, in the tradition of a certain alien Doctor I hope you&#8217;re nerd enough to have ...]]></description>
			<content:encoded><![CDATA[<blockquote>
<p style="text-align: left;">“The reason birds can fly and we can&#8217;t is simply because they have perfect faith, for to have faith is to have wings.”  ― <a href="http://www.goodreads.com/author/show/5255014.J_M_Barrie">J.M. Barrie</a>, <em><a href="http://www.goodreads.com/work/quotes/14761428">The Little White Bird</a></em></p>
</blockquote>
<p><img class="aligncenter" title="fire_april" src="http://farm9.staticflickr.com/8527/8684155131_243e46d215.jpg" alt="" width="500" height="333" /></p>
<p>Very good friends of mine, they call me the Philosopher, in the tradition of a certain alien Doctor I hope you&#8217;re nerd enough to have heard about. I&#8217;m the Thinker. The Vulcan. The &#8220;what-if&#8221; person. The short and tired Sherlock Holmes. And I find human beings a fascinating thing to observe.</p>
<p>But there&#8217;s a strange blur between what I want to look at and need to look at. Anyone out of a crowd could shout and tell me &#8220;<em>you don&#8217;t understand</em>,&#8221; and I&#8217;ll give them that &#8211; I don&#8217;t understand everything. But to use it as a finger to point instead of a reason to learn, it goes nowhere. As I&#8217;ve gotten older, I&#8217;ve started to learn more about the world, and though the world would tell me that if I oppose or disagree, I&#8217;ve been sheltered or lack intellectual capacity for agreement, there&#8217;s still a balance to things that everyone has to find for themselves.</p>
<p>Vague enough yet?</p>
<p>Bad things have happened to me. Things people still don&#8217;t want to talk about, things I&#8217;m expected not to talk about. Bad things have happened to people I love, bad things will happen to strangers. Because that&#8217;s how things work. It&#8217;s only wishful thinking to say that bad things won&#8217;t have an effect, and it&#8217;s unwise to tell people to completely brush it off, to try and forget.</p>
<p>Bad gives meaning to the good. It may be trite, but it&#8217;s true. And I believe a lot of the reason I&#8217;m here is to make people see that.</p>
<p>My week hasn&#8217;t been going well. It&#8217;s nothing in particular, only that I&#8217;m particularly prone to things bubbling up toward the surface. Things attack me all at once. Things that have changed how I think and how I see things, and not always for the better. Mistakes I&#8217;ve made, mistakes other people have made that I will never have fixed.</p>
<p>And then tonight was okay.</p>
<p>Nothing changed, but it was okay.</p>
<p>Even with a particularly murderous headache, it was okay. Because of many of the bad things, I&#8217;ve had to cope with not being able to change things I want changed, or not understanding people&#8217;s actions, or having been told I deserve to be hurt. It&#8217;s not about other people &#8211; it&#8217;s about me (as many have taken time to point out as a fault, but that&#8217;s not what I mean).</p>
<p style="text-align: right;">Sometimes, you just have to be okay and roast a hot dog.</p>
<p style="text-align: right;">Use the good, get rid of what holds you back.</p>
<p style="text-align: right;">Because that&#8217;s how you move forward.</p>
<blockquote>
<div><em>No temptation has overtaken you except what is common to mankind. And God is faithful; he will not let you be tempted beyond what you can bear. But when you are tempted, he will also provide a way out so that you can endure it.</em></div>
<div></div>
<div>1 Corinthians 10:13(NIV)</div>
</blockquote>
<div></div>
<div style="text-align: center;">The Storytellers 3:</div>
<div style="text-align: center;">26,482 words.</div>
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		<title>Essay Contest Winner: &#8220;To Be Clean&#8221;</title>
		<link>http://blackbirdbooks.net/essay-contest-winner-to-be-clean/</link>
		<comments>http://blackbirdbooks.net/essay-contest-winner-to-be-clean/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 18:49:34 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Causes]]></category>
		<category><![CDATA[Contests]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[guest post]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=639</guid>
		<description><![CDATA[<p><em>by M. E. B.</em></p> <p>I went to get a drink of water, and I realized that dirt had gotten into the glass. I had to dump out the whole glass of water into the sink before I got the <em>all</em> the dirt out. Then I realized, the glass is just like my mind. My mind is essential to my life, it sends signals to my heart to ...]]></description>
			<content:encoded><![CDATA[<p><em>by M. E. B.</em></p>
<p>I went to get a drink of water, and I realized that dirt had gotten into the glass. I had to dump out the whole glass of water into the sink before I got the <em>all</em> the dirt out. Then I realized, the glass is just like my mind. My mind is essential to my life, it sends signals to my heart to tell it to beat, and it moves my diaphragm so that I can breath. A small amount of dirt will pollute the glass, and a small amount of dirty entertainment will pollute my mind.</p>
<p>Popular movies are filled with  R-rated images and drugs. Horror and crime are a common subject in many teen books. Popular music is filled with curse words and sexually suggestive language. Video games revolve around murder and gory violence. I didn&#8217;t realize that I could be putting this into my mind. Once I put this entertainment dirt into my mind, I can&#8217;t get it out; just like once dirt is in my water I can&#8217;t get it out. If I were add more water or dirt to the glass eventually it will overflow, similarly everything that I put into my mind will overflow, and affect my life. If I were to listen to music with bad words, those words would stay in my mind, and in a certain situation, such as jamming my finger in the door, those words might overflow.</p>
<p>Like sediment, dirty entertainment settles in my mind, and I forget about it, but something can always stir it up again. If I added more dirt to my glass eventually there would no longer be any water, only mud. When my mind is filthy, my actions are soiled, which makes my life grimy.</p>
<p>To clean out the dirt in the glass, I might put more clear water in it so that eventually, all the dirty water will overflow and the glass will look clean again. When I stop putting dirty entertainment into my mind and start putting in  clear water, my mind will become clear again.</p>
<p>No one wants to drink dirty water. Similarly no one wants to be polluted by people who have dirty minds. When I change the inputs to my mind, I will change my life. A clean life will not spread more dirt and may change the world.</p>
<p>Lately the word &#8220;teen&#8221; has become a derogatory word, almost an insult. I am a teenager and I want to change that. I have made the decision to filter my entertainment, and watch what I put into my mind. I ask you to do likewise. It&#8217;s up to us, the next generation, to change. We can change the world first by changing our personal choices. We need to become clean again. Stand with me to avoid dirtying our minds. I don&#8217;t want to be dirty, I want to be clean.</p>
<p style="text-align: right;"><em>Thanks to  M. for your entry!</em></p>
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		<title>The Sydney West Essay Contest</title>
		<link>http://blackbirdbooks.net/the-sydney-west-essay-contest/</link>
		<comments>http://blackbirdbooks.net/the-sydney-west-essay-contest/#comments</comments>
		<pubDate>Sun, 27 Jan 2013 22:07:05 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Contests]]></category>
		<category><![CDATA[Clearplay]]></category>
		<category><![CDATA[sydney west]]></category>
		<category><![CDATA[Tea]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=614</guid>
		<description><![CDATA[<p style="text-align: left;">“The divisions in the common public are defined in many ways. It&#8217;s the differences the definers hold most important that may not only tell us something about those they speak of, but the speakers, themselves.” &#8211; <a href="http://www.goodreads.com/book/show/13486619-sydney-west">Sydney West, p.1</a></p> <p style="text-align: center;">Have an opinion on books, movies, and music? How well can you write it down?</p> <p style="text-align: center;"><em><strong>Why is it important to ...]]></description>
			<content:encoded><![CDATA[<blockquote>
<p style="text-align: left;">“The divisions in the common public are defined in many ways. It&#8217;s the differences the definers hold most important that may not only tell us something about those they speak of, but the speakers, themselves.” &#8211; <a href="http://www.goodreads.com/book/show/13486619-sydney-west">Sydney West, p.1</a></p>
</blockquote>
<p style="text-align: center;">Have an opinion on books, movies, and music? How well can you write it down?</p>
<p style="text-align: center;"><em><strong>Why is it important to be aware of your entertainment choices? Or is it?</strong></em></p>
<p>If you&#8217;re between the ages of 13 and 18 and can answer this question in an essay between 500 and 700 words, you could win one of several prizes in this contest. If you&#8217;re not 18 and want to enter, you&#8217;ll need to send one of your parents&#8217; or guardians&#8217; signatures with the information at the end of this post. You also need to live in the USA. For now, lets take a look at what you could win.</p>
<p>7 entries will win a package of 5 limited edition 1&#8243; pin-back buttons &#8211; two with pieces of the cover art from each of the current Sydney West books, and three pieces of my own art. Skull and crossbones teacup, skeleton key, and a matching skull padlock!</p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0094.jpg"><img class="aligncenter" title="IMG_0094" src="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0094.jpg" alt="" width="400" /></a></p>
<p>Third and second places will win a signed copy of <em>Sydney West</em> and <em>Lorem Ipsum </em>each, a tin of Twinings loose Earl Grey tea with a strainer (latter not pictured), Radar the TY bat, and a package of the 5 pin-back buttons described above.</p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0096.jpg"><img class="aligncenter" title="IMG_0096" src="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0096.jpg" alt="" width="400" /></a></p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0097.jpg"><img class="aligncenter" title="IMG_0097" src="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0097.jpg" alt="" width="400" /></a></p>
<p>First place will receive all of the above, plus a ClearPlay DVD player and a card good for a one year membership from the day of activation. Don&#8217;t know what ClearPlay is? <a href="https://www.clearplay.com/default.aspx">Check it out</a>.</p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0098.jpg"><img class="size-medium wp-image-629 aligncenter" title="IMG_0098" src="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0098.jpg" alt="" width="400" /></a></p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0099.jpg"><img class="size-medium wp-image-630 aligncenter" title="IMG_0099" src="http://blackbirdbooks.net/wp-content/uploads/2013/01/IMG_0099-300x200.jpg" alt="" width="400" /></a></p>
<p>To enter, all you need is a hard copy of your essay and your parent&#8217;s or guardian&#8217;s signature at the top if you&#8217;re under 18. I&#8217;m going by the honor system this time around, because if you win one of the prizes, I&#8217;ll be sending it to your return address &#8211; wouldn&#8217;t <em>that</em> be tricky to explain?</p>
<p>What you mail will not be returned. And, by entering, you&#8217;re giving me your permission to post your essay on this blog (last name omitted). Once the contest ends, I&#8217;ll post the essays from the first, second, and third places. You can create a hard copy of your work any way you like, from printing to handwriting &#8211; just make sure your handwriting is legible.</p>
<p>Finish your essay and, by March 15th, mail it to:</p>
<p style="text-align: center;">Blackbird McKinsey<br />
Sydney West Contest<br />
11810 Henderson Road<br />
Clifton, VA 20124</p>
<p style="text-align: right;">Winners will be announced by the end of March!</p>
<p style="text-align: right;">Good luck!</p>
<blockquote><p>“You will be surprised. There are those who insist two and two make five, at the same time they preach it comes to four. The ones who call women beautiful in one room, and opt to change their faces in another. Hold to what you believe, Sydney, and great things are in your future.” &#8211; <a href="http://www.goodreads.com/book/show/16150683-lorem-ipsum">Lorem Ipsum (Sydney West #2), p.32</a></p></blockquote>
<p style="text-align: center;"><em>If you have any questions, you can send them to  Blackbird@Blackbirdbooks.net.</em></p>
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		<title>E Pluribus Unum</title>
		<link>http://blackbirdbooks.net/e-pluribus-unum/</link>
		<comments>http://blackbirdbooks.net/e-pluribus-unum/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 03:21:57 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=576</guid>
		<description><![CDATA[<p>Writers aren&#8217;t people exactly. Or, if they&#8217;re any good, they&#8217;re a whole lot of people trying so hard to be one person. It&#8217;s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.</p> <p style="text-align: right;">F. SCOTT FITZGERALD, <em>The Last Tycoon</em></p> <p style="text-align: left;">Sometimes it gets hard to me to realize just how ...]]></description>
			<content:encoded><![CDATA[<blockquote><p><span style="font-family: Arial;">Writers aren&#8217;t people exactly. Or, if they&#8217;re any good, they&#8217;re a whole lot of people trying so hard to be one person. It&#8217;s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.</span></p>
<p style="text-align: right;"><span style="font-family: Arial;">F. SCOTT FITZGERALD, <em>The Last Tycoon</em></span></p>
</blockquote>
<p style="text-align: left;">Sometimes it gets hard to me to realize just how different my world is from another person&#8217;s. I was about to start this post with something like &#8220;we&#8217;ve all heard this quote,&#8221; but then I realized that&#8217;s not necessarily true. It&#8217;s around me often and when it&#8217;s not, it&#8217;s tucked in the back of my head, so I feel like it&#8217;s something most people have heard, when that&#8217;s really not the case.</p>
<p style="text-align: left;">I&#8217;ve studied books, writing, and stories in general for a very long time, formally and informally. Stories in various forms are integral to the way I think. If I don&#8217;t understand any given thing, chances are, if you explain it in terms of a book, movie, or folk tale or mythology, it will suddenly clarify. I realized this better when I was talking to a friend about music the other day. His understanding of it is vastly different than mine, and while he was trying to explain a section of music with numbers and fractions, I was visualizing in unrelated ways.</p>
<p style="text-align: left;">People feel loved in different ways, and while this post isn&#8217;t about that, the principles can be moved into other ways people relate to each other and the world. Lucky for me, I have several people around me who also have an idea of this, so there&#8217;s not too many odd looks or problems any more. From those people, at least.</p>
<p style="text-align: left;">Everyone has their own lens &#8212; a kind of <em>filter</em> &#8211; that defines how they relate to things. It&#8217;s related to the learning styles of a person. Some people can read a textbook, others have to do something hands-on, other people need to hear it. For me, I use my work.</p>
<p style="text-align: left;">I see the world through stories.</p>
<p style="text-align: left;">It&#8217;s said that when you dream, that&#8217;s your way of subconsciously working out your waking life. The Storytellers series is my dream. I don&#8217;t write my real life into the stories, but my work is how I think. By dreaming, I better understand the world. I love the quote above because it accurately sums up my feelings on the matter. I am who I am, but the engineering works both ways. I create all my characters, but many of my characters are parts of myself, which end up creating <em>me</em>.</p>
<p style="text-align: left;">My first main character was <strong><em>Hannah Merchant</em></strong>. She was the first concrete character I ever created, which was at about twelve years old. She&#8217;s confident. She does precisely what she wants and says what&#8217;s on her mind. I&#8217;ve always had trouble of one kind or another, being what I suppose you could call &#8220;shy&#8221; in certain cases, which fluctuated in being a sort of blabbermouth in other cases. At twelve, I wanted to be her, I wanted to say the right things, and I wanted to speak up and not be afraid of anything.</p>
<p>Hannah has changed a bit since the first idea of her and, now that I&#8217;m twenty-one, she&#8217;s still part of my tendency to say what&#8217;s on my mind, which can be good, but she&#8217;s also a stubborn streak that gets me into trouble more often than not. I&#8217;ve started using what I know to help her development and my own, instead of just creating something on a pedestal because I feel like I have to change. She has a lot of potential locked inside a loud, energetic nature. She might stay pretty much like she is, but she&#8217;s one way I can understand things better. After all &#8212; fiction is rooted in truth.</p>
<p style="text-align: left;">The very second main character that I created was <em><strong>Aaron McKay</strong></em><strong>. </strong>He&#8217;s the first important adult of the story. He had an important mission &#8212; don&#8217;t let the monster get him. He had some semblance of maturity, but he looked like he&#8217;d worn the same suit for a week, and he&#8217;d gone without a haircut for much longer than that. He&#8217;s the calmer one of the two, and listens to people more. I didn&#8217;t quite realize it until the beginning of <em>Atlantis</em>, but he&#8217;s really not as confident in Hannah, though he&#8217;s obviously been around longer.</p>
<p style="text-align: left;">Aaron&#8217;s original idea began as someone much more confident and knowing. He&#8217;d never be treated as inferior or ignorant by Hannah, but he&#8217;s calmed down a bit too much, while she&#8217;s gotten a bit over-the-top. I play a lot of fiction games with friends of mine, and my friends are actually matched with various characters, in my mind. There&#8217;s the Cheshire Cat, Peter Pan, and Lemony Snicket, among others. I started thinking about my character creation in a different way when one of them said they see me in Aaron, someone I had never seen myself in.</p>
<p style="text-align: left;">Hannah and Aaron are both people trying to match the inside to the outside. I use them to study what I don&#8217;t get right on my own, and it helps me like numbers and music help and make sense to other people. I could study other people all day, but unless I can understand myself, none of that will ever help.</p>
<p style="text-align: left;">Then came <em><strong>Sydney West</strong></em>&#8230;</p>
<p style="text-align: left;">Unlike Hannah and Aaron, I never had to collect the components of Sydney. While they both slowly congealed out of the fog, Sydney showed up mostly formed and, as I&#8217;ve told others, he threatened to beat me up unless I wrote his story. I didn&#8217;t feel the choice. So that&#8217;s what I did.</p>
<p style="text-align: left;">It may have been due to the fact that things were definitely changing at the beginning of Sydney West. At that point, I already had Anterria. I was still living somewhat in my Hannah-worship instead of realizing she&#8217;s a part of who I am, not just someone I should turn into. Sydney is very much related to Hannah, but in the same way I was moving away from the less controlled mouth to a more measured method, Sydney showed up, all his imposing six feet and six inches and became the vent of over analysis and the face of growing anxiety.</p>
<p style="text-align: left;">As the quote says &#8212; I did my best not to look in the mirror. In the beginning, I did my best to keep it from crossing over. I was me, and my books were books. I loved my books, but I tried and failed to keep them impersonal.</p>
<p style="text-align: left;">I don&#8217;t take people I don&#8217;t like and turn them into villains. I don&#8217;t implant my real life into my stories. Yet it still crosses over. The best art is what you put yourself into, and even if you don&#8217;t consciously try, if you really love what you do, you&#8217;ll find yourself in it. You&#8217;ll find it&#8217;s more than just a thing. It&#8217;s a mirror and lens, and fiction can actually help you better understand the world, if you&#8217;re willing to pay attention to what you&#8217;re writing and reading.</p>
<p style="text-align: left;">What are some characters you see yourself in, or what stories have you heard that have helped you understand something (anything) better?</p>
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		<title>Obligatory New Year&#8217;s Eve Post</title>
		<link>http://blackbirdbooks.net/obligatory-new-years-eve-post/</link>
		<comments>http://blackbirdbooks.net/obligatory-new-years-eve-post/#comments</comments>
		<pubDate>Mon, 31 Dec 2012 21:35:47 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Holidays]]></category>
		<category><![CDATA[The Storytellers]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[new year's eve]]></category>

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		<title>The Lorem Ipsum Soundtrack</title>
		<link>http://blackbirdbooks.net/the-lorem-ipsum-soundtrack/</link>
		<comments>http://blackbirdbooks.net/the-lorem-ipsum-soundtrack/#comments</comments>
		<pubDate>Thu, 27 Dec 2012 03:50:31 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[My Books]]></category>

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		<description><![CDATA[<p><img class="alignleft" src="http://d.gr-assets.com/books/1352948909l/16150683.jpg" alt="" /></p> Usually, I&#8217;d just throw up a list with the cover and be done with it, but I&#8217;ve put up three of these soundtracks so far so I thought it would be well worth explaining just why I go through the trouble. I only use rules when they have practical application. I used to be the kind of person who&#8217;d go ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" src="http://d.gr-assets.com/books/1352948909l/16150683.jpg" alt="" /></p>
<div>Usually, I&#8217;d just throw up a list with the cover and be done with it, but I&#8217;ve put up three of these soundtracks so far so I thought it would be well worth explaining just why I go through the trouble. I only use rules when they have practical application. I used to be the kind of person who&#8217;d go so far out of their way to adhere to rules and protocol, even if the end result suffered for it.</p>
<p>I don&#8217;t know many other writers, so when I work, it&#8217;s alone. I spend a lot of time by myself, in my own world, doing my best to spell it out for you so you can share that with me. Music is a big part of the writing. Writing is just one part of storytelling. To fully utilize the way I think, I dive headfirst into all my resources, which includes surrounding myself with the appropriate sounds. I&#8217;m sure there are others who do this, as I find it&#8217;s an excellent method of immersion, but I don&#8217;t know many of those people, except for my friend Chesh, who I&#8217;ve mentioned before.</p>
<p>Yet, in all the storytelling that I do, I want to share as much as possible with the people who read it. I don&#8217;t just make books, I try to make experiences. All my study hasn&#8217;t simply been on the grammar and spelling, or even the story format, I study how to bring the pictures, sounds, feelings, and everything else from my head to someone else. Because I enjoy most of what&#8217;s in my head, and I want to make something else people can get happy over. Or completely overemotional with feels and questions and inspiration to go out and make something for themselves based on seeds I plant.</p>
<p>So I try to expand the experiences I try to give, jumping off from the actual writing into music, drawing, and other craft and interactions. I&#8217;m constantly trying to widen the horizon of the view my stories paint. Because, as Jim Weiss says, one of my biggest inspirations:</p>
<blockquote>
<div><em>&#8220;A good story isn&#8217;t just heard, it&#8217;s experienced.&#8221;</em></div>
</blockquote>
<div>Check out the playlist below for my personal cross-section of sounds from my fourth novel, <em><a href="http://www.goodreads.com/book/show/16150683-lorem-ipsum">Lorem Ipsum</a></em>.</div>
<div><span id="more-563"></span>{<a href="http://www.youtube.com/playlist?list=PLxAWkyc1fG021sYu6UXlAD4iJRNYmwNyp">Play All</a>}</div>
<div></div>
<ol>
<li><a href="http://www.youtube.com/watch?v=XUym7n7fJTQ">Bowl of Oranges by Bright Eyes</a></li>
<li><a href="http://www.youtube.com/watch?v=qDcnpGFwSEc">The Loser by Switchfoot</a></li>
<li><a href="http://www.youtube.com/watch?v=SfeSzMKOhSk">Reclusion by Anberlin</a></li>
<li><a href="http://www.youtube.com/watch?v=sjIfPODIyuA">Charlie Brown by Coldplay</a></li>
<li><a href="http://www.youtube.com/watch?v=4tP4P7QWnig">Stitches by Switchfoot</a></li>
<li><a href="http://www.youtube.com/watch?v=2GTICPoh3aQ">Would You Be Impressed? by Streetlight Manifesto</a></li>
<li><a href="http://www.youtube.com/watch?v=K9WOBsPVjFE">No One Knows by Queens of the Stone Age</a></li>
<li><a href="http://www.youtube.com/watch?v=JaWdz4sjyWI">Wow by Snow Patrol</a></li>
<li><a href="http://www.youtube.com/watch?v=lUOA1rBySrM">Don&#8217;t Know How It Goes by Julian Smith</a></li>
<li><a href="http://www.youtube.com/watch?v=Nm75sn9zZVs">Map of the Problematique by Muse</a></li>
<li><a href="http://www.youtube.com/watch?v=-nEO-rAe8HI">Bela Lugosi&#8217;s Dead (Vernian Process Remix) by Nouvelle Vague</a></li>
<li><a href="http://www.youtube.com/watch?v=w1nQ-T2Pz0Q">Suspender Man by Steam Powered Giraffe</a></li>
</ol>
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		<title>To Knit: Sirius Socks</title>
		<link>http://blackbirdbooks.net/to-knit-sirius-socks/</link>
		<comments>http://blackbirdbooks.net/to-knit-sirius-socks/#comments</comments>
		<pubDate>Mon, 24 Dec 2012 03:38:16 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=548</guid>
		<description><![CDATA[<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7495.jpg"><img class="size-large wp-image-549 alignleft" title="DSCN7495" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7495-1024x768.jpg" alt="" width="300" /></a></p> <p>&#160;</p> <p>&#8220;He was a strong-looking man with a rectangular face and short brown hair. He looked like some sort of large tree &#8212; immovable and strong. His gray eyes looked over a pair of small spectacles to the man in the hammock, then to Peter.&#8221;</p> <p style="text-align: right;"><a href="http://blackbirdbooks.net/books/">The Storytellers: Atlantis</a>, p. 43</p> <p>&#160;</p> <p>&#160;</p> ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7495.jpg"><img class="size-large wp-image-549 alignleft" title="DSCN7495" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7495-1024x768.jpg" alt="" width="300" /></a></p>
<p>&nbsp;</p>
<blockquote><p>&#8220;He was a strong-looking man with a rectangular face and short brown hair. He looked like some sort of large tree &#8212; immovable and strong. His gray eyes looked over a pair of small spectacles to the man in the hammock, then to Peter.&#8221;</p></blockquote>
<p style="text-align: right;"><a href="http://blackbirdbooks.net/books/">The Storytellers: Atlantis</a>, p. 43</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Sirius was the second dragon for the Storytellers, but a definite shift from Eltanin. She was huge. He was the size of a large dog. Her grace came from the deer and horses he resembled. His natural demeanor was closer to a bored, foxlike creature. After trying entirely too hard to be clever, I realized the best way to appropriately channel Dr. Sirius was to scrap the impressive &#8212; go straight to the point. So here are the dog paw socks. The yarn these are made with make them more like slippers than socks to go in shoes, but some experimentation should adjust to your own choice of footwear. As for me&#8230;I&#8217;m just going to find some wood floor.<br />
<a href="http://www.ravelry.com/badges/redirect?p=sirius-socks"><img style="border: none;" src="http://api.ravelry.com/badges/projects?p=sirius-socks&amp;t=.gif" alt="" /></a><br />
<em><strong>SUPPLIES/SKILLS -</strong></em></p>
<ul>
<li>Aran weight yarn, at least 210 yards (Caron One Pound in green in the photos)</li>
<li>Size US8 needles, or size to obtain gauge &#8212; One circular needle or appropriate DPNS, but at least 3 to make the toe cap</li>
<li>Stockinette stitch</li>
<li>One stitch marker</li>
<li>K2tog</li>
<li>Right facing k2tog</li>
<li>double CO for the toe</li>
<li>magic loop if using a circular needle</li>
<li>Stretchy BO</li>
</ul>
<p><em><strong>GAUGE -</strong></em></p>
<ul>
<li>24 rows by 16 stitches in 4&#215;4 inches</li>
</ul>
<div></div>
<div></div>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7499.jpg"><img class="alignright" title="DSCN7499" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7499-768x1024.jpg" alt="" width="300" /></a>Double CO 11 on 2 of the DPNs</p>
<p>transfer to circular needle if using one, whenever you deem appropriate</p>
<p><strong>TOE</strong>:</p>
<p>R1: *k5, p1, k5* repeat between asterisks from now on out, place round marker</p>
<p>R2: *k1, m1, k4, p1, k4, m1, k1*<br />
R3: *k6, p1, k6* repeat<br />
R4: *k1, m1 purlwise, k5, p1, k5, m1 purlwise, k1* repeat<br />
R5: *k1, p1, k5, p1, k5, p1, k1* repeat<br />
R6:  *k1, m1, p1, k5, p1, k5, p1, m1, k1* repeat<br />
R7:  *k2, p1, k5, p1, k5, p1, k2* repeat<br />
R8: *k1, m1, k1, p1, k5, p1, k5, p1, k1, m1, k1* repeat<br />
R9-10: *k3, p1, k5, p1, k5, p1, k3* 4 times<br />
R11-15: *k3, p1, k11, p1, k3* repeat</p>
<p>38 sts total</p>
<p><strong>ARCH</strong>:</p>
<p>R16-41: knit</p>
<p><strong>HEEL</strong>:</p>
<p>Row1: k18, place marker<br />
Row2-6: stockinette<br />
Row7:*k1, right facing k2tog, k to last 3, k2tog*<br />
Row8: p across<br />
Row9-12: repeat rounds 7 and 8, ending on a RS row<br />
Row13(round 42): repeat row 7, pick up 7 sts along the side of the heel, knit across arch, pick up 7 sts on the other side of the heel, place marker</p>
<p>44 sts</p>
<p>R43: k up to the last picked up stitch, right facing k2tog, k to the last arch stitch, k2tog, k to end<br />
R44: k the round<br />
Repeat rows 43 and 44 until there are 36 sts left. Begin 1&#215;1 ribbing and work for 46 rows.</p>
<p>Stretchy BO. Weave in end. Repeat for other sock.<a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7503.jpg"><br />
</a></p>
<div><strong><strong><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7503.jpg"><img class="aligncenter" title="DSCN7503" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/DSCN7503-768x1024.jpg" alt="" width="300" /></a></strong></strong></div>
<div></div>
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		<title>Night Colors</title>
		<link>http://blackbirdbooks.net/night-colors/</link>
		<comments>http://blackbirdbooks.net/night-colors/#comments</comments>
		<pubDate>Wed, 19 Dec 2012 19:37:31 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[The Storytellers]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[night colors]]></category>
		<category><![CDATA[painting]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=542</guid>
		<description><![CDATA[<p style="text-align: center;">“A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.” ― <a href="http://www.goodreads.com/author/show/13560.Leonardo_da_Vinci">Leonardo da Vinci</a></p> <p style="text-align: center;"></p> <p><a class="a2a_dd a2a_target addtoany_share_save" href="http://www.addtoany.com/share_save#url=http%3A%2F%2Fblackbirdbooks.net%2Fnight-colors%2F&#38;title=Night%20Colors" id="wpa2a_30"><img src="http://blackbirdbooks.net/wp-content/plugins/add-to-any/share_save_171_16.png" width="171" height="16" alt="Share"/></a></p>]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;">“A painter should begin every canvas with a wash of black,<br />
because all things in nature are dark except where exposed by the light.”<br />
― <a href="http://www.goodreads.com/author/show/13560.Leonardo_da_Vinci">Leonardo da Vinci</a></p>
<p style="text-align: center;"><iframe src="http://www.youtube.com/embed/NqicYC5WTvs" frameborder="0" width="560" height="315"></iframe></p>
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		<title>To Knit: Eltanin Hood</title>
		<link>http://blackbirdbooks.net/eltanin-hood/</link>
		<comments>http://blackbirdbooks.net/eltanin-hood/#comments</comments>
		<pubDate>Fri, 07 Dec 2012 22:15:16 +0000</pubDate>
		<dc:creator>blackbirdbooksadmin</dc:creator>
				<category><![CDATA[hands-on]]></category>
		<category><![CDATA[Knitting]]></category>
		<category><![CDATA[The Storytellers]]></category>
		<category><![CDATA[eltanin]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=458</guid>
		<description><![CDATA[<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin3.jpg"><img class="alignleft" title="eltanin3" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin3-764x1024.jpg" alt="" width="250" /></a> &#8220;<em>The pale woman hovered around the crew in her usual</em> <em>elegant dress, but with the addition of a large, pointed hood, which easily hid</em><em> her large, pointed ears</em>.&#8221;</p> <p style="text-align: right;">- <a href="http://blackbirdbooks.net/books/">The Storytellers: Anterria</a>, p. 121</p> <p style="text-align: left;">Eltanin had always been a strange combination of princess, knight, and odd, batlike creature. She was inspired directly ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin3.jpg"><img class="alignleft" title="eltanin3" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin3-764x1024.jpg" alt="" width="250" /></a> &#8220;<em>The pale woman hovered around the crew in her usual</em><br />
<em>elegant dress, but with the addition of a large, pointed hood, which easily hid</em><em> her large, pointed ears</em>.&#8221;</p>
<p style="text-align: right;">- <a href="http://blackbirdbooks.net/books/">The Storytellers: Anterria</a>, p. 121</p>
<p style="text-align: left;">Eltanin had always been a strange combination of princess, knight, and odd, batlike creature. She was inspired directly from<a href="http://en.wikipedia.org/wiki/Gamma_Draconis"> Gamma Draconis</a>, the brightest star in the constellation Draco, and kicked off my now wide array of other characters inspired by the mythology and history of stars.</p>
<p style="text-align: left;">With each draft of <em>Anterria</em> she got more complex and powerful, but I always wanted her to keep a certain amount of simplicity, though not exactly the kind she had in the beginning. Branching into other arts I love, I decided to bring a version of her big, blue hood to life.</p>
<p> <a href="http://www.ravelry.com/badges/redirect?p=eltanin-hood"><img style="border: none;" src="http://api.ravelry.com/badges/projects?p=eltanin-hood&amp;t=.gif" alt="" /></a></p>
<p><em><strong>SUPPLIES/SKILLS -</strong></em></p>
<ul>
<li>Aran weight yarn, at least 210 yards (Caron One Pound in blue in the photos)</li>
<li>Size US11 needles, or size to obtain gauge</li>
<li>Tapestry needle</li>
<li>Garter stitch</li>
<li>Stockinette stitch</li>
<li>K2tog</li>
<li>Left facing k2tog</li>
<li>Kitchener stitch</li>
</ul>
<p><em><strong>GAUGE -</strong></em></p>
<ul>
<li>12 stitches and 20 rows in 4&#215;4 inches of stockinette stitch</li>
</ul>
<p>&nbsp;</p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin.jpg"><img class="alignright" title="eltanin" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin-764x1024.jpg" alt="" width="250" /></a>CO 160</p>
<p>Rows 1-12: knit</p>
<p>Row 13: BO 47, k 113</p>
<p>Row 14: BO 47, k 3, p 60, k 3</p>
<p>Row 15: knit 2, k2tog, knit 58, slip 2, turn second stitch, put both stitches back on the left needle, k2tog from the left side of the front loop.</p>
<p>Repeat this pattern at the edges on RS only until you have a total of 60 stitches including the garter stitch border.</p>
<p>K 26 rows with the 3 st garter border.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Keep to the pattern, but stop 5 stitches from the end. Wrap the 5th stitch from the end, then turn, stop 5 stitches from the end, wrap the 5th stitch, then turn. Next set, wrap the 10th stitch on both rows, then the 15th stitch on both rows, then the 20th, until there&#8217;s nothing left to wrap in the pattern of the stitch counts.</p>
<p><a href="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin2.jpg"><img class="alignleft" title="eltanin2" src="http://blackbirdbooks.net/wp-content/uploads/2012/12/eltanin2-764x1024.jpg" alt="" width="250" /></a></p>
<p>Keeping to the pattern (garter border, stockinette center) knit all the way to the end of the next two rows, picking up the wraps appropriately.</p>
<p>Knit 56, right facing k2tog, knit 2, place marker.</p>
<p>Knit 2, k2tog, knit to the last 3 stitches. Wrap and turn. Purl across to the last 3 stitches, wrap and turn.</p>
<p>Decrease with appropriately facing decreases in the center, and keep wrapping in increments of 3. Stop when there are 6 (x3) wraps on each side. Knit across 2 rows in pattern, picking up the wraps appropriately.</p>
<p>46 stitches total. Cut with a long tail, use the kitchener stitch to seam invisibly. Weave in the ends.</p>
<p>&nbsp;</p>
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		<title>Lorem Ipsum (Sydney West #2) &#8211; Chapter 1</title>
		<link>http://blackbirdbooks.net/lorem-ipsum-sydney-west-2-chapter-1/</link>
		<comments>http://blackbirdbooks.net/lorem-ipsum-sydney-west-2-chapter-1/#comments</comments>
		<pubDate>Thu, 29 Nov 2012 22:01:45 +0000</pubDate>
		<dc:creator>rblackbird</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blackbirdbooks.net/?p=491</guid>
		<description><![CDATA[<p style="text-align: right;"><img class="alignright" title="lorem_ipsum" src="http://d.gr-assets.com/books/1352948909l/16150683.jpg" alt="" width="200" /></p> <p style="text-align: left;"><strong>1</strong></p> <p><strong></strong>Life flows in a strict progression. Time, however, is a fickle creature. It shrinks and grows dependent on perception, and is a measurement wholly relative to itself. Memory can seemingly bring you backward in time; nothing can bring you forward except life. The nature of life is all that stabilizes the violence of ...]]></description>
			<content:encoded><![CDATA[<p style="text-align: right;"><img class="alignright" title="lorem_ipsum" src="http://d.gr-assets.com/books/1352948909l/16150683.jpg" alt="" width="200" /></p>
<p style="text-align: left;"><strong>1</strong></p>
<p><strong></strong>Life flows in a strict progression. Time, however, is a fickle creature. It shrinks and grows dependent on perception, and is a measurement wholly relative to itself. Memory can seemingly bring you backward in time; nothing can bring you forward except life. The nature of life is all that stabilizes the violence of time.</p>
<p>&nbsp;<br />
A life with the utmost appreciation for time is the only hope to fully transcend the more violent half of existence. Life, while it may seem the more expressive force, is not the more hostile. None of us fight against life — we all fight time.</p>
<p>&nbsp;<br />
Life is freedom; time holds us captive.</p>
<p>&nbsp;<br />
<span id="more-491"></span>Yet, while each on its own is enough of a study, the combination is a thing to be feared above all else. Life easily manipulates our time; time may easily deprive us of life. And, sometimes, time and life get so bored with their occupations that they throw an extra energy into their attack of each other. Strange things happen. People are lost in the scuffle.</p>
<p>&nbsp;<br />
Winter had broken, but the late spring day felt more like a summer afternoon. Most of the schools were out. The street was a scene full of sunlight, green trees lining the sidewalks and cars full of people, both on the street and empty ones parked parallel to the curb.</p>
<p>&nbsp;<br />
Music blasted from several vehicles as they sped by the brick porch. The sidewalks weren’t crowded, but full enough to ensure a fairly steady stream of customers to the coffee shop. A sign hung just below the second-floor window. It was a large, wooden cutout of a mug and saucer, with “<em>The Jagged Ledge</em>” underneath in bold letters.</p>
<p>&nbsp;<br />
A pair of pale hands pushed the window-paned door open, and their owner hopped down the steps enthusiastically. She looked similar to the other young people on that street, but struck a chord of eccentricity with her bright red hair, which was pulled back, and her black rimmed glasses and black-and-white striped shirt. No one really stared at her long enough to try and figure out why she<br />
emitted such a strange feeling, but let her fade into the background of their thoughts.</p>
<p>&nbsp;<br />
At any rate, she didn’t notice the ones who stared a little longer. The girl hummed a jovial tune to herself as she unlocked a red-wrapped chain that secured a black, vintage-style bicycle to the rack. With a graceful swing, she straddled it and kicked off toward the street.</p>
<p>&nbsp;<br />
Just as she joined traffic, a second pair of pale hands, this time belonging to a man, pushed the Ledge door open. He was uncommonly tall, which let him descend the few stairs in one step. He came to the sidewalk level and scanned the field of heads up and down the street, running a hand through his black hair in worry. He then took off at an impolite speed, bumping into many people on the way.</p>
<p>&nbsp;<br />
That head of cherry red was getting away from him.</p>
<p>&nbsp;</p>
<p>***<br />
Everyone took their bicycles out for the day. When he lost sight of the girl’s bright red hair, he started looking for the retro-style bicycle in every rack he passed. He walked so quickly that he actually skidded to a halt once it caught his eye.</p>
<p>&nbsp;<br />
After a second glance, before a second thought, he pushed open the door to the nearby book store and was assaulted with overzealous air-conditioning as the tiny bell rang. He stood there in silence for a moment, eyes darting across each aisle. Picking one at random, he started down it with long steps.</p>
<p>&nbsp;<br />
A few seconds later, the bell over the door rang again. He growled inwardly, then dashed back to the front door and threw it open. The girl kicked her bicycle off into traffic, a new, blocky bulge evident in her small canvas backpack.</p>
<p>&nbsp;<br />
“<em>Rowan!</em>” he shouted.</p>
<p>&nbsp;<br />
Her head swiveled back at the sound of her name, just before a small car cut the bicycle out from under her, and there came the sound of broken glass and more impacted metal.</p>
<p>&nbsp;</p>
<p>***</p>
<p>&nbsp;</p>
<p>“<em>Jacob Walton?</em>”</p>
<p>&nbsp;<br />
“Uh…who may I ask is calling?” Jacob didn’t recognize the man’s voice, but the tone put him on edge. It sounded official. Jacob never had “<em>officia</em>l” calls. That’s what he got for opening his phone without checking the ID.<br />
“<em>This is Adam at the Doyle Memorial Hospital calling for Jacob Walton at</em><em> the request of</em> ‘Sydney,’” the man informed. Jacob stopped walking. Someone behind him in the hall crashed into his back, but he ignored it. He dropped his heavy laundry bag as the person huffed and went their own way.</p>
<p>&nbsp;<br />
“I’m Jacob, yeah. What’s happened?”</p>
<p>&nbsp;<br />
“<em>Sydney and his sister were both involved in a vehicle incident down on</em><em> Magpie Street. He’s asked for you to come as soon as convenient</em>,” Adam said.<br />
Jacob knew Sydney well, he liked to think — well enough to spot false politeness that was probably added in Adam’s message. Sydney tried — sometimes he really tried — but his default mindset didn’t have those kinds of manners. What he really meant was more like “<em>Jacob, get over here or I’ll freeze</em><em> your underwea</em>r.” Something like that. Jacob was about to tell Adam he’d be right over, but his thoughts halted with the painful sensation of a record scratch in his head. Did he say Sydney and his ‘<em>sister</em>’?</p>
<p>&nbsp;</p>
<p>Though he knew Sydney well, they had only been friends a few months. They met when Sydney collapsed from exhaustion on the floor of<em> The Jagged Ledge</em>, a shop which Jacob frequented and only subconsciously acknowledged as a contributor to his hipsterish appearance. Jacob was the one to call the ambulance, and had been one of Sydney’s only hospital visitors.</p>
<p>&nbsp;<br />
He pushed his thick-rimmed glasses up.</p>
<p>&nbsp;<br />
“You said ‘<em>sister</em>,’ right?” he asked.</p>
<p>&nbsp;<br />
“<em>I did. When will you be able to come?</em>”</p>
<p>&nbsp;<br />
Jacob lifted his laundry bag again, checked his watch, then put the phone back up to his ear. “I’ll be there in about half an hour,” he said.</p>
<p>&nbsp;<br />
“<em>I’ll tell him</em>.”</p>
<p>&nbsp;<br />
“Thanks.”</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Jacob closed his phone, ending the call. He heaved the laundry bag higher over his left shoulder, then shoved the phone in his pocket. He turned to walk the other way down the hall. There would be time for laundry later. He could spend his time analyzing the situation, or he could ask Sydney himself. That is, if he was actually up to talking.</p>
<p>&nbsp;<br />
Sydney had only two visitors when he was in the hospital before, when they had first met. Those people were Jacob and someone Sydney disaffectionately named ‘<em>Montresor</em>.’ Sydney woke up with amnesia which he led others to believe had cleared — it never did, but this<em> Montresor</em>, or someone closely connected, gave him a name and address to assume, in addition to a class registration and<br />
student ID for the University of Colorado. The information came in a note left in a pot of daisies on his bedside table when he was sleeping. It was such a bizarre situation, one more likely to be found in a paperback novel than real life. Not in Colorado Springs, at least.</p>
<p>&nbsp;<br />
Jacob came to terms with the reality of it quite a while ago. He’d even begun thinking a bit like Sydney. Whether it was out of intention or mere influence, he didn’t know. As he thought about it more on the way back to his half-packed dorm room, all he knew was that Sydney had no sister he remembered. Jacob moved an empty packing box, tossed the bag on his bed, then grabbed his car keys from his table before he left the empty suite. As Sydney often said since that peculiar Saturday in March when they had first met, “<em>Sometimes, the</em><em> direct approach is best</em>.”</p>
<p>&nbsp;<br />
A few minutes later, he climbed into his tiny blue car and turned the key,<br />
then made his way to the hospital.</p>
<p>&nbsp;</p>
<p>***</p>
<p>&nbsp;<br />
<em>Eerie.</em><br />
<em>Amen.</em><br />
<em>Abecedarian</em>.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Sydney put down the pen and rubbed his eyes. The crossword was nearly complete, but the painkiller, or whatever was in the clear bag on the pole at his side, had him pausing to reorient himself every few moments. His left hand, which he kept under the table, resting on the knee brace, was thickly bandaged in white. The IV found its way under the bandages, however. He was alone in the little hospital cafeteria, except for the female nurse in blue who filled out some sort of paperwork ten tables down and behind him.</p>
<p>&nbsp;<br />
His left elbow was in a curious contraption he’d been told was an “<em>elbow brace</em>.” He thought it looked more like some kind of robot arm, but that might just have been the IV driving his imagination.</p>
<p>&nbsp;<br />
Sydney didn’t like hospitals. It wasn’t just the association of being ill or injured, but something else that nagged at the back of his mind, unexplainable. The long, white halls terrified him; the lighting made it hard for him to focus. There, in the cafeteria, at least there was some color, and he could get away from the incessant beeping. He could hear it, even when he was sure all machinery was<br />
separate from him, until he came to the field of colored tables.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>He liked to think he wasn’t usually so demanding, but kicking up a scene was well within his capability. He had some kind of allergic reaction to the original sedative, so they couldn’t just sedate and quiet him down for a few hours. He worked this to his advantage, and they arranged for him to sit there, doing the crossword in the newspaper instead of lying in a beeping room. That is, if his approach still qualified as actually doing it.</p>
<p>&nbsp;<br />
He’d been ignoring the clues for down and across, filling in the words he wanted, in whatever place he wanted. It all fit together, so far.</p>
<p>&nbsp;<br />
Sydney heard someone push the door open to his left, but he didn’t look up. He heard footsteps of two people, but still didn’t look. The sounds from a pair of flat, rubber-soled shoes, and the cast rubber soles of the last nurse Sydney had seen, combined with the step patterns and volume, made him fairly certain who they were. He didn’t really care if he was wrong, which was the only reason he didn’t look.</p>
<p>&nbsp;<br />
Jacob quietly took the seat across the table, then leaned forward on his<br />
elbows.</p>
<p>&nbsp;<br />
“Like I told you, he’s fine enough to leave right now, provided he has someone to check up on him later,” the nurse said. Sydney’s glassy eyes suddenly sparked with acknowledgement of the statement. He looked up, first to the nurse, then to Jacob, as if in a panic to verify that he’d heard the sentence correctly. “Yeah, sure. I’ll check up on him. I’ll sign whatever I need to, or…whatever,” Jacob said, tapping his feet impatiently.</p>
<p>&nbsp;<br />
“All right. Come see me just outside, once you’re finished. I’ll be at the desk,” she said.</p>
<p>&nbsp;<br />
“‘<em>Finished</em>’?” Sydney asked.</p>
<p>&nbsp;</p>
<p>“I said I wanted to talk to you alone for a minute,” Jacob cut in, and Sydney looked back at him suddenly. He wished the nurse would step a little closer, or he’d have whiplash, too, by the end of the conversation.</p>
<p>&nbsp;<br />
She took one step away, but Sydney cleared his throat and she turned back. “When you come back,” he began, “could you make sure to unhook me? I’m all full-up,” he finished, poking the clear tube that ran under the bandage of his left hand.</p>
<p>&nbsp;<br />
“Ah. Yes,” she said, then was gone, taking with her the nurse from the back of the room.</p>
<p>&nbsp;<br />
“Great,” Sydney groaned, and he flicked the pen across the table, into Jacob’s lap.</p>
<p>&nbsp;<br />
“What<em> possessed</em> you to throw yourself on broken glass?” Jacob burst, picking up the pen.</p>
<p>&nbsp;<br />
“Interesting choice of words, there,” Sydney answered, running his fingers along the crease of the newspaper.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>“And, by the way, you <em>don’t have a sister</em>, last I knew,” Jacob continued.</p>
<p>&nbsp;<br />
“She asked me to.”</p>
<p>&nbsp;<br />
Jacob’s fiery annoyance cooled off a bit in the confusion. “Asked you to what?”</p>
<p>&nbsp;<br />
“Say she’s my sister.”</p>
<p>&nbsp;<br />
“Why?” Jacob asked.</p>
<p>&nbsp;<br />
“I don’t know.”</p>
<p>&nbsp;<br />
“You didn’t think it could have been, oh I don’t know…the <em>head injury</em> talking?” Jacob said.</p>
<p>&nbsp;<br />
Sydney stared at him a moment. “I didn’t ‘<em>throw</em>’ myself on ‘<em>broken glass</em>,’ Jacob. Stop being overdramatic.”</p>
<p>&nbsp;<br />
“Well, what happened, then?”</p>
<p>&nbsp;<br />
“They should have already told you,” Sydney mumbled.</p>
<p>&nbsp;<br />
“I want to hear it in your words, not theirs.”</p>
<p>&nbsp;<br />
They locked eyes. Jacob knew Sydney’s look — it reminded him of about a month ago, the only time since they’d known each other that Sydney had tried drinking a full cup of coffee. It was a strange, unearthly gaze with a distinct lack of verbal inhibition.</p>
<p>&nbsp;<br />
“I was watching her. At <em>The Jagged Ledge</em>. Something was familiar.”</p>
<p>&nbsp;<br />
“You have absolutely no qualms over stalking, do you?”</p>
<p>&nbsp;<br />
Sydney paused a moment. “No.”</p>
<p>&nbsp;<br />
“Just asking,” Jacob said.</p>
<p>&nbsp;<br />
“I followed her because I remembered her. She rode her bicycle into traffic, the traffic rode into her. She was on the other side — I took a shortcut across the bent hood and cracked windshield.”</p>
<p>&nbsp;<br />
“Of course you di—you <em>remembered</em> her?”</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>“Yes, I remembered her. Something like a conversation we’d had before. But she had a different hair color, I’m sure of it.”</p>
<p>&nbsp;<br />
“What color?”</p>
<p>&nbsp;<br />
“Uh. A sort of dark-blondish color. Her hair is some kind of Killjoy red, now. Why—”</p>
<p>&nbsp;<br />
“Details. You know,” Jacob said.</p>
<p>&nbsp;<br />
“I know,” Sydney sighed.</p>
<p>&nbsp;<br />
“What’s her name, anyway?”</p>
<p>&nbsp;<br />
Sydney pushed himself up out of the chair by his right hand, wincing as he bent his knee out. He awkwardly attempted to fold the newspaper over, but Jacob took it and did it for him.“Rowan. I overheard the cashier at the Ledge comment on it when she gave it for her order. Rowan Dexter, going by the name in the front cover of the notebook she had with her. I only had one look at it. Now, I’m really getting tired of this thing —” he glanced at the IV tube, “so let’s just get this over with. I need to go home and make sure Montresor deposited enough for me to cover these medical bills.” He pinned the newspaper under his free elbow, then wrapped his fingers around the IV pole and made his way to the hall door. Jacob drummed his fingers on the table, then stood to follow.</p>
<p>&nbsp;</p>
<p>***</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The void slowly congealed into a sort of strange, weightless sensation. It came as a thick, black fog of thoughtlessness, nothing but half-assembled feelings. Up and down eventually separated, but only slightly. She then divided the inside from the outside, and her dark eyes cracked open.</p>
<p>&nbsp;<br />
Rowan lay motionless in the dim, quiet room, her primary-red hair loosed to fall on her shoulders. Her left eye was hidden with a bandage that extended to her left ear, and some of her hair was cut away to make room for it. Her left leg was obviously in a cast under the thin blanket, and her left arm rested on her stomach in a black splint and sling. Her right side was much the same, but bandaged for sprains and other unnatural twists. Half her face was obscured under the oxygen<br />
mask.</p>
<p>&nbsp;<br />
She felt a presence to the right.</p>
<p>&nbsp;<br />
“Oh…hello, there,” said a rather short nurse in green. “I’m just here to check on how you’re doing.”</p>
<p>&nbsp;<br />
Rowan’s eye didn’t move. She just stared at the same spot on the ceiling. The nurse gave a little frown, but then returned to her practiced pleasantness. “I’ll be back in a minute to check on you again with the doctor. All right?”</p>
<p>&nbsp;<br />
Rowan didn’t respond. Her eye shut again.</p>
<p>&nbsp;<br />
“Well…” the nurse hesitated. “I’ll be back,” she finished, then was gone. Her eyes were closed, but she hadn’t fallen back asleep yet. There was a curious, comforting noise that floated in the fog along with the faint beeping of the monitors. It sounded like a music box.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>She fell back asleep with the song in her head, and the nagging feeling that she<br />
had something important to do.</p>
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